
Sawa
MemberNoobOct-24-2013 4:41 PM[center][img]http://s18.postimg.org/baadfdx0p/BRBonsai.jpg[/img][/center]
[b][Excerpt][/b]: If there is no rivalry over a common female figure, what then serves as the homo-social bonding agent for the two heroes? The answer lies, in part, in the sky. In contrast to the shot of the white dove winging up towards a clear blue sky, the film's other shots of what occupies the vertical spaces of the city indicate what the mediating third term might be. For example, when Deckard enters Sebastian's abandoned apartment building, the site of the fight scene between himself and Roy, he looks-up through skylight.
The camera gives us a medium long shot of the underside of a blimp with two large video panels facing the street. Each screen runs a commercial featuring a "traditional geisha girl" (Sammon 240). One of the geisha's entices the viewer with a glass of beer. The other looks as if she is peering right into the building, like a peeping Tom. Her eyes look directly at the camera and meet the viewer's eye, as if she were a live person looking back at the viewer. The soundtrack is quiet except for an eerie kabuki chant.
According to Jordan Cronenweth, the film's cinematographer, the airships were created to float "through the night with enormously powerful beams emerging from their undersides," bathing "the city in constantly swinging lights." The idea was to impart the sense that the lights were "used for both advertising and crime control, much the way a prison is monitored by moving searchlights" representing the "invasion of privacy by a supervising force, a form of control" (Lightman and Patterson 723).
In an earlier scene, the same advertising blimp blasts a tape recorded message on a loop: the same kabuki chant followed by "this announcement was made possible by the Shimato-Dominguez Corporation - helping America into the new world." A similar geisha video image dominates the film's numerous panoramic shots of the city's skyline.
In a bridging shot repeated several times during the film, the camera shows a tall skyscraper with an enormous multi-paneled video screen that occupies the entirety of one of its facades. The screen features a close-up image of yet another geisha, whose giant powder-white face with bright red lipstick dominates the landscape. In the action of die commercial, the geisha holds up a red pill, puts it in her mouth, swallows, and then smiles.
According to one of the special effects supervisors, David Dryer, Scott wanted to "continue with the oppressive feeling throughout the landscape" by showing "a bunch of phony oriental commercials where geisha girls are doing unhealthy things. Smoking, taking drugs or whatever" (Sammon 241-43). In another shot the same huge screen shows commercials for various well-known corporations such as "Coca-Cola," thus linking the elements of an "oppressive feeling," corporate rule, and the Asian body.
The face of the corporate ruling class in Blade Runner's diegesis is an Asian one. :O
[b]Source[/b]: [url=https://intranet.stjohns.sa.edu.au/curriculum/eng/12engstudies/Text%20Response/Texts/Blade%20Runner/Metaphor%20and%20Blade%20Runner's%20Racial%20Politics.docx]White & "Black" versus Yellow: Metaphor & BR's Racial Politics[/url]
Even though I disagree with many of the opinions within the above essay, the link is posted for anyone that does want to read it in full (MS Word docx). I believe Ridley Scott is a man that most certainly [url=http://www.hollywoodreporter.com/review/ridley-scotts-japan-a-day-381461]has a love for Japan[/url], and Asian culture in general. I find even the writer's opinion about the Deckard's paper-reading opening, is right-off ...it actually might be a bit of tribute to a opening of a Japanese film, from the mid-1970s. Not that the author would have a reason, to know anything about that possibility.
Although, the quotations about the Geisha screens from crew members, is what I'm mainly interested in sharing here. And one could also consider, there may have been an additional influence on Ridley's thinking then:
[center][img]http://s14.postimg.org/gch39eq0x/Dick_The_Man_In_The_High_Castle.jpg[/img]
[url=http://www.scified.com/news/581]Ridley aims to develop a new series[/url]
Bonus pics:
[img]http://i.guim.co.uk/static/w-700/h--/q-95/sys-images/Guardian/Pix/pictures/2012/6/1/1338506441104/Prometheus-premiere-006.jpg
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Ridley and [url=http://en.wikipedia.org/wiki/Giannina_Facio]Partner[/url] (Wife :) ) @ the"Prometheus" premiere in London
[img]http://farm6.staticflickr.com/5254/5534440771_3f374c3076_z.jpg[/img]
"Geisha Screen" by [url=http://www.flickr.com/photos/artpoly/]polywen[/url]
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Thanks djrees56, and you're all welcome. ^_^
S:)